Saturday, 20 September 2008
The Sound of Laughter by Peter Kay
Thursday, 21 August 2008
The Speckled People by Hugo Hamilton
Hamilton is a journalist, and a writer of short stories and novels. His first three novels were set in Central Europe. Then came Headbanger (1996), a darkly comic crime novel set in Dublin and featuring detective Pat Coyne. A sequel, Sad Bastard, followed in 1998. The Speckled People came out in 2003 to critical acclaim It is an intensely personal memoir about very a political and public issue; what does language mean for national identity in democracies. His was a childhood of "lederhosen and Aran sweaters, smelling of rough wool and new leather, Irish on top and German below” so uniquely lived through two separate struggles represented by his parents. It is also about homesickness; for a dream Ireland, a lost Germany and a homeland of one’s own.
Hugo’s father wanted an Irish speaking self-sufficient Catholic Ireland. English if spoken by the children resulted in punishments including beating with sticks. He adapted an Irish name that no one could spell and pronounce and refused to answer even his work letters if they failed to write using his English name. Yet he also made toys, read stories and took his family on holiday to West Ireland (much to the amusement of the locals who were tired of the Dublin Intellectuals telling them they were the future when all they wanted was a decent inside toilets and jobs. His nationalism was driven by the shame of a father who had served and died in the British Navy leaving a service pension that funded his university education. He was always on the look out for the next big business deal to make Ireland economically free. But from crosses, toy wagons and tragic Honey they are failures, his only success is the size of his family as it grows year by year. They are the secret weapon to challenge the legacy of Empire.
His mother was a German Catholic, whose father was a conservative opponent of Hitler and whose family were passive resisters throughout the war although one sister was more active in being part of a network of safe houses hiding Jews. She herself as being “people of the head rather then the fist” so eventually rebels against her husband and destroys the canes but otherwise goes along with her husbands dreams and teaches her children German so they becomes fluent in three languages. She also has secrets that unravel as the biography unfolds.
The memoir is not a sentimental Irish story of hope crushed by poverty driven by the drink. The children have a comfortable and warm upbringing drawing on the richness of three culture’s music and literature. But being German meant that the children were bullied and taunted as Nazis and they were at a lost to say where they belonged. What drives the story is the voice of the narrator that uses simple sentences and childlike observations, gradually turning to what he knows and understands, as he grows older and so creating a quiet humorous yet honest account of two flawed humans struggling to make a better life for their children in the very different 50s and 60’s. An sequel called The Sailor in the Wardrobe was published in 2006. Highly recommended.
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Saturday, 31 May 2008
Young Stalin by Simon Sebag Montefiore
Monday, 21 May 2007
The Year of Magical Thinking by Joan Didion
One day you will lose some one you love, you may have already. Each of us will deal with it differently yet the same. The same because we can mark our progress and failures according to the Kübler-Ross grief cycle, the details of which are set out below.
Shock stage: Initial paralysis at hearing the bad news
Denial stage: Trying to avoid the inevitable
Anger stage: Frustrated outpouring of bottled-up
Bargaining stage: Seeking in vain for a way out
Depression stage: Final realization of the inevitable
Acceptance stage: Finally finding the way forward
Differently because each grief is the history of the life lost and left. Joan Didion is a famous American journalist, essayist, and novelist. Her book, The Year of Magical Thinking, was published October 4, 2005. The book-length essay chronicles the year following her husband's death, during which Didion's daughter, Quintana, was also gravely ill. The book is both a vivid personal account of losing a partner after 40 years of professional collaboration and marriage, and a broader attempt to describe the mechanism that governs grief and mourning.
It is clear that she moves in top social circles from her life style, which naturally goes by unremarked. The prose is clear and simple, and is best described as personal reportage, and hints rather then shouts the underlying pain of trying to make sense of how/why her husband died. It is intellectually brilliant yet emotionally cold. For a very different account of a writer dealing with grief read Blake Morrison, And when Did You Last See Your Father? Its revealing to me that she had loathed Dylan’s Thomas widow, Caitlin, highly emotional book, Leftover Life to Kill .
What I am about to say is not a spoiler as her daughter health is not used to build up to a point of hope in the account. But if true then it illustrates that Joan may still be stuck in grief or in writing this book moved on. Quintana seemed to be getting better during the period the book covers, she died of complications from acute pancreatitis on August 26, 2005, in New York City at age 39 after an extended period of illness. The New York Times reported that Didion would not change the book to reflect her daughter's death. "It's finished," she said.
Would I recommend it? I hesitate because the account reveals a brilliant, strong woman who is able to do what she does best and write about circumstances that would floor many of us. You finish the last page respecting but not loving her. Don’t read it if you want a cosy cry, but if you look at Death with pride and stand tall she is your woman.
“You may have enemies whom you hate, but not enemies whom you despise. You must be of your enemy: then the success of your enemy shall be your success too.”Friedrich Nietzsche