The Wanderers by Richard Price

The Wanderers by Richard Price was a first novel written in 1974 and draws on his teenage years around the Bronx street gangs of the early 60’s. It became a successful movie in 1979, which like the book went on to be a cult classic. Richard Price went on to write many other street crime stories such as Clockers and many successful screenplays as in The Colour of Money..

The story follows the last months of members of a teenage street gang called The Wanderers. These are an all-Italian gang comprising of 27 members. They wear bright yellow/brown jackets and blue jeans. Their leader, Richie, is dating Despie Galasso, the daughter of an infamous mobster, so The Wanderers have connections We also get involved with the fights and alliance of the other local gangs such as

• The Fordham Baldies: As their name suggests, they are all bald, reportedly to prevent their hair from getting in their eyes during a fight.

• The Del Bombers: The toughest all-black gang in the Bronx.

• Ducky Boys: An all-Irish gang , all short- 5'6" and under and the most vicious

• The Wongs: An Chinese gang, all with the last name of "Wong" and highly skilled in Jiu-Jitsu

But it’s more then being in a gang as we explore their relationships, schools, neighbourhoods and often dysfunctional families. Its not a book for the politically correct or maiden aunts, you get unfiltered real street language and behaviour and no moral judgements by the author. The bad aren’t punished and the good rewarded, its left messy as in real life. The story whilst a novel is structured like a series of inter connected short stories so characters pop in and out of the set events as we move through the lives of the gang members. I should add apart from the high energy dialogue many of the scenes are funny,( ask me about the lasso, stone and what was tied to the rope when thrown over a bridge!) sad and even chilling. Well worth reading

The Tidewater Tales by John Barth

Peter is a working class successful writer who has become blocked and so begs his well heeled wife (Katherine) who is 8 ½ months pregnant to set him a task. She does which is to tell stories as they sail around the Chesapeake Bay (a 200 mile long estuary on the Virginia and Maryland coastlines) in their boat called Story. During of which we discover how they fell in love in the 60’s but not met up until the 70’s and why they are having babies now as they hit 40. But this is only one of three other love stories in the novel. One is the love of landscape and the other is of sailing. Both of which are powerfully evoked throughout the novel. Their love story, landscape and sailing are then effectively linked to their families. Hers being local old money who have shaped the land since before the USA was founded and his being boat builders who have shaped access to the water since coming over in the 19^th century.

Katherine’s family are open, generous friendly and sophisticated so accept and support the whims of Peter and Katherine to sail around the Bay. Likewise Peter shy and intense and Katherine open and bright are deep friends and in love so we like the characters and join in the physicality evoked by the writing. However these are but three of several strands in the novel, two others are a political thriller and an eco-mystery. The first explores the CIA-KGB spy games as the SALT talks dirty tricks play out in the local area. The second looks at the environmental damage being done by illegal dumping. Both story lines are linked firmly with Katharine’s ex husband and her charming but wastrel brother but not as you expect.

But all this are themes for the real focus of the novel which is about the art and mystery of writing and story telling. So over the 14 days of sailing we move in and out of the stories of Don Quixote, Huckleberry Finn, 1001 nights of Arabian Tales, Odyssey as they shape and are shaped by the love story landscape and sailing. We meet the narrators as characters finishing their own stories and shaping the novel as we do as reader-characters. This means that the narrative moves through a whole range of formats (plays, short essays, monologues, puns, wordplay etc) and genres (love story, social comedy, thriller, family saga, etc) with us and the unborn babies as narrator commentators along with the characters who know they are in a story. And we know their fates outside the story itself.

Don’t expect a quick read as its 655 pages and small print but do expect an intellectual tour de force and a page turner for what is mediation on writing that races along driven by the reader’s identification with Peter’s writers block, and their immediate parenthood while the multi-layer story entertains and stretches. Clearly a banquet that lingers in the memory when many beans on toast novels have been long forgotten so highly recommended.

Lang by Kjell Westö

Lang by Kjell Westö was published in 2005 for English readers and his is first crime/suspend novel. Kjell is a Swedish speaking Finlander author of several novels and books of poetry since 1986. Lang is psychological mystery with its polar opposite being Roseanna which is a Police Procedural story by the husband-and-wife writers Maj Sjöwall and Per Wahlöö. In Lang a crime is committed but the focus is on the why and its consequences rather then on its detection. The story is driven by the question what redemption is possible if your life is driven by fame and success rather then by love.

Lang is the host of Finland’s premier chat show-think Michael Parkinson crossed with Jeremy Paxman and started his rise to the top of the cultural heights by being a successful highbrow novelist. But his second marriage has just failed, and his son from his first is on drugs. He hasn’t written in over ten years and his TV ratings are slipping as viewers switch to new Friday night formats such as Big Brother and How to be a Millionaire. Worse still, he is in is 40’s going grey and fading physically.

A chance encounter with Sarita in a bar starts an obsessive lust affair complicated further which it becomes clear that she is equally locked in an unhealthy relationship with the violent father of her son. Yet it’s like a drug that initially gives the high of a revitalised career but then destroys it as the addicts needs to have more of what he craves leads to murder…but also redemption.

The story is not told by Lang but his best friend who is contacted in the opening scene for a spade to burry the body. Lang browbeats him to get the spade but when arrested keeps his friends involvement secret. The story then unfolds with the friend trying to discuss and write up Lang’s version which we gradually see is more his then Lang’s. We lean more about their friendship and Lang’s abuse of it and how he neglects his mentally ill sister. It also becomes clear that whilst Lang is clearly a charming but nasty piece of work, his friend and Sarita are not merely victims as they are playing their own games. Even Saritia’s violent drug-seller ex husband has more redeeming qualities then first appearances would suggest.

So does it work? Well don’t expect a nice simple bad-guy versus good-guy as nothing is easy or simply resolved and you are left with perhaps more questions then answers. It rings psychologically true and the writing and structure works well with memorable characters that haunt you even when you are not sure if you enjoyed or loved the story. Strongly recommended.

Closely Observed Trains written by Bohumil Hrabal

Closely Observed Trains written by Bohumil Hrabal is considered one of the greatest Czech and European writers of the 20th century. His books are translated into 27 languages. The short novel was the basis of one of the most popular new wave movies made in the 60’s. He died in the late 1990’s possibly by suicide and had to struggle through the long oppression of the communist regime with many of his books having to be smuggled out to be published.

However this is not some worthy political diatribe but an earthy sensual satire that contrasts the bumbling humour of the Czechs and the crudity and repression of the local Nazis as the German front collapse at the end of the war. The opening scene is of a shot down aeroplane wing fluttering into the town and causing panic in the streets. From this we learn about the Hrma family, Great Grandfather who had a war pension from 18 and would drink a bottle of rum and smoke a pack of cigars a day in from of the local workers to show how easy he had it until finally beaten to death in his 80’s, a grandfather who tried to hypnotise the Germans invaders to stop, and a father who had served on the railways for 25 years before he retired to be the village holder of lost and abandoned objects.

And finally we meet Milos Hrma the teenage railway apprentice on the way to work at the local railway station after a 3 month sick leave. He is acutely aware of the town’s view that the whole family are scroungers and wastrels. The sick leave was because he had tried to commit suicide after failing to “rise to the occasion” with his first love as he feared that the eyes of the town were on him.

Milos is one of Hrabal's "wise fools" - simpletons with occasional or inadvertent profound thoughts - who are also given to coarse humour, lewdness, and a determination to survive and enjoy oneself despite harsh circumstances. As he rejoins work he walks into a crisis. It appears that the station dispatcher –a sex mad woman’s man had used the entire official stamps one night to stamp the bum of the female telegraphist. As these were in German, this prompts the investigation of the way that the station was being run much to the frustration of the bumbling pigeon fancier station master ambitions. In the resulting chaos of events Milos gets to achieve sexual maturity and political maturity as he finally makes a moving and heroic stand against the Germans.

The novel is less then 100 pages but each of the characters spring of the page and the underlying politics are hinted rather then laid on with a trowel. For example the horror of this time is mainly conveyed with subtle quiet descriptions of the trains and their passengers passing through the station- a hospital train from the front passing a train with fresh troops on the way to the front or the state of the animals stranded on delayed trains. Its real targets were off course the Communists and the need to take a stand against them which the Czechs did in 68 and in the 90’s to gain their freedom in the velvet revolution. But don’t worry about the politics. Instead enjoy the story and writing that paints pictures in your mind with memorable scenes and humour leaving you desperate to see the film and read more of his books. Highly recommended.

Shoeless Joe by W.P.Kinsella

Well it’s supposed to be about dreams, magic, life and not about baseball...wrong it’s about baseball and an American understanding that baseball is a way to unlock dreams, magic, and life.

But I am not an American follower of Baseball so along with Underworld by Don DeLillo it went over my head (although DeLillo’s books first chapter was a stunning, lyrical depiction of the centuries’ baseball World Series final moments). So is Shoeless Joe...stunning, lyrical writing? No, assume wooden, workaday.

Think I am being harsh? Well I look forward to a story based of a brickie who puts a goal up in Norfolk. George Best then appears to help him build the football pitch and gradually all the world ** players appear (Lev Yashin as goalie, Carlos Alberto Torres, Nílton Santos as full backs, Franz Beckenbauer, Bobby Moore as centre backs etc for one last game with the Brickie’s long lost father as the ref. That I would understand so Nick Hornby get writing it.

But for the moment I am sticking to the film of the book-Field of Dreams. And making a mental note to be wary of any book that has a sports theme!

** run past me again how in Baseball one country = a world series whilst the 2006 World cup has 198 counties competing and over 700 million people watched the actual finals

The Tetherballs of Bougainville by Mark Leyner

Well could be fancy and say its a post modernist novel with a form that counters the tyranny of the outdated narrative and naturalist tradition. Its plot: son at father's failed execution; father enrolled in the State's lotto prisoner execution programme, son writes a screenplay is merely a rack for lots of streams of conciousness/montage pieces.

I love books that break with conventions but when they engage me and not being just fun for the writer. I loved 253 or The Saddlebag for example. This is supposed to be his most novel like book but it reads like he lacks the discipline to write for the reader. Or at least not the sober drug free reader...it must be a profound read if stoned

Uncle Petros and Golbach’s Conjecture by Apostolos Doxiadis

Uncle Petros and Golbach’s Conjecture was originally a best selling Greek novel and has now been published over 20 languages so don’t get switched off by the title and subject matter. Forget about it being about maths and in fact think of Moby Dick to place this book. It’s about obsession and pride in chasing the impossible dream. You understand the thrill and terror of chasing impossible dreams.

Right now let’s get the maths out of the way. Golbach’s Conjecture first stated in the 18th century suggests that:

Every even integer greater than 2 can be written as the sum of two primes.

But mathematicians lack proof that in all circumstance it would hold. For example think about Physics where if dealing with the very big or the very small ordinary scientific understanding ceases to work. So could this be the case in Mathematics? Yes over my head as well! But the author is a childhood mathematical genius who submitted original research at 15 before even starting his degree and also an acclaimed film maker and writer. So he both understands the mathematical issues and can write so that we understand and care.

We first meet Uncle Petros in the 1970’s through the eyes of the beloved favourite nephew as a teenager. Petros is dismissed as the family failure that supports him through the family business while he does nothing but read books and plays chess. He leaves his home only once a month to do the books of a charity founded by his father. The beloved favourite nephew is met by a wall of adult silence when he tried to find out what the anger of the family is about. A chance phone call and a subsequent letter lead him to discover that far from a failure Uncle Petros had been a professor of mathematics in the 20’s and 30’s at a prestigious German University. This makes him as obsessive as his Uncle as he struggles to discover the Truth of the family scandal.

He tries to become a mathematician to help him challenge and understand what had obsessed his Uncle. This causes huge family problems- this is a Greek family remember where honouring your family and Father is a top rule in life. He finally manages to get the story of his Uncles obsessive hunt out in the open but at a high personal cost to his own ambitions. It is clear that Uncle Petros is a genius who will never be known as his hopes are dashed in the 30’s by the publication of Kurt Godel’s Theorem. Yes more maths but not much so don’t leave. This solves the problem of completeness by showing that any theory of numbers will contain unprovable propositions. Alan During (him of how do we know a computer has human intelligence- asked before computers were developed- now that’s what being clever is about) then demonstrates that theorists have no idea which proposition is merely hard to prove and which are impossible to prove.

Hence, Uncle Petros has no way of knowing if spending all his life in trying solve the Golbach’s Conjecture is a possible but hard task or impossible task. He gives up, his dreams and hopes ended. The beloved nephew is finding the truth is released from his obsession and so escapes the fate of his Uncle but then realises that a psychological lie has taken place which he needs to lance but this has tragic consequences.

Uncle Petros and Golbach’s Conjecture is highly recommended Greek tragedy in less then 200 pages about theoretical maths and why love and life is about how you answer the Bette Davis Theorem:

Oh, don't let's ask for the moon. We've already got the stars.

Slabrat by Ted Heller

Slabrat by Ted Heller is wicked satire of office politics is based on his experience of work at magazines such as Vanity Fair. The title is a slang term for high rise office workers, Think 9-5 with Dolly Parton or the Devil wears Pravda if you want to place its genre. The novel plots all the insane office status power politics and then some you have ever experienced

It follows the life of Zach an associate editor who is stalled at the stage in his career of either rising or falling. His best friend is falling and his work colleague has just lifted off. The problem is that he is lazy and wont do the brown nosing needed to get ahead apart from sleeping with what ever boss (female) he can. He is also a complete fake- not a Harvard rich kid but someone from the sticks. In the superficial world of IT this is a death warrant should it come out.

A new associate editor arrives who soon starts working the system and raises so causing panic. They start fight back with all the underhand tricks you can imagine. At the same time his love life is torn between lust, love and ambition and three different women.

Its fall of comic moments and a character list of truly appalling people that you feel must be based on real characters and you hope they read the book. Don’t expect the ending you may think but it’s the one Zach would have wanted.

Strongly recommended as a wonderful dark and oh so true depiction of office politics at its worse and describes what you would like to do…come on admit it you would.

Crash by J.G.Ballard

In reading most works by J.G. Ballard you need to be prepared for dystopian modernity, with bleak man-made landscapes and the psychological effects of technological, social or environmental developments. Crash 1973 is central to that view of his writing. It is a phonographic depiction of sexually fetished car crashes and the resulting body deformities. You know you are in for a bumpy ride(yes I know) when one of the scenes is about sex with a willing invalid car driver (remember the little green boxes on wheels) who because of wounds and missing or damaged limbs has more holes capable of penetrative sex.

The story starts with a couple that have an open sexual relationship so sleeping with different partners carrying out any type of penetrative sex imaginable and more you haven’t. And get their kicks in telling each other etc. On the way to work “Ballard” kills someone in a head on car crash gets drawn into a sub world of men and women who get their sexual kicks from sex in crashed or crashing cars and attending car crashes. He had noticed Vaughan photographing him at the accident and the hospital. Through him “Ballard” gets drawn into ever more violent sexual activity, including becoming aroused and having sex with him using his scars as a scaffold to…

A central story line is the plot by Vaughan to die having sex while crashing into a car containing the hottest top female film star of the day. “Ballard’s” wife in between a lesbian affair gets the hots for him and gets xxxxed in the backseat as “Ballard” drives at dangerous speeds watching them in the rear mirror.

How much of this is about Ballard’s own sexual kicks is unclear as in 1970 Ballard organized an exhibition of crashed cars at the New Arts Laboratory, appropriately called "Crashed Cars". The crashed vehicles and their sexual potential were displayed without commentary, inspiring vitriolic responses and vandalism. The main character of Crash is called James Ballard living in Shepperton as did the author. And he suffered a serious automobile accident shortly after completing the novel.

The book must not be confused with the 2004 film Crash which is an Academy Award-winning drama film directed by Paul Haggis. This film seeks to depict and examine not only racial tension, but also the distance between strangers in general. The film of the book is 1996 film directed by David Cronenberg. It was praised and attacked in equal measure and won a special prize for daring, audacity, and originality at the Cannes film festival.

So why ,if you are still with me, would you bother to read what appears to be such a distasteful book? The clue is in the structure and descriptions of the book repetitive phraseology of medical sexual teams and the descriptions of the car and body parts. It means that you the reader experience the alienation and emptiness that is the heart of the story. The story is not erotic in any sense as it point to the emptiness of lives that depend on more and more extreme highs and drugs to keep the sexual tension going. Death then becomes the ultimate sexual act. Nowhere does love and community figure in a world of motorways, airports, roundabouts and technological emptiness. What ever the feelings and motives of the writer, the story serves as a warning of a society that obsesses objects and appearances over personal relationships and social community-who cares for the children in this vision of our lives?

I didn’t find it a easy read and was reluctant to spend time reading it but would recommend it for the importance of us seeking to avoid a reality that could become our world if we cease to love.

The success of love is in the loving; it is not in the result of loving. Of course it is natural in love to want the best for the other person, but whether it turns out that way or not does not determine the value of what we have done.

Mother Teresa

The New York Trilogy: by Paul Auster

This is a series of subtle interlocking novellas set in New York published over 85 and 86: City of Glass, "Ghosts" and "Locked Room with the first set in the period, the 2nd in the 40’s and the last one in the 70’s. They use mystery conventions of the gumshoe detective (think Humphrey Bogart) but in a subversive way as an existentialist reflection on writing, and story creation and communication but at the pace of a thriller; it more Kafka then Chandler with haunting imagery and surreal coincidences. But it also has deep emotional and psychological depths.

To give you a flavour of the book, in the City of Glass the main Character is Daniel Quinn a writer who has abandoned writing except for mystery writing owing to the death of his wife and child. He is successful enough to only need to write one novel a year which he has just done and then he drifts. He is clearly depressed and only feels alive when he is the private eye of his novels. One night he receives a midnight phone call asking for a detective called Paul Auster( yes the real author is also a later character in the story) and after several rejections he decides to act as if were his private eye character. His clients are a child-man who is a survivor of a dreadful abuse by his father (he was deprived of language as part of an experiment in discovering the natural language of man before the fall of the Tower of Babel) and his wife a nurse who had married him so that he could leave the hospital. The father now elderly is being released from Mental hospital and they fear that the son will be killed and want protection.

The story then takes many twists and turns and ends with the author as character being criticised by a final narrator who may be one of the characters from the other stories for what happens to Daniel Quinn during the course of the story.

In the Locked Room all the characters are named after colours and it’s a classical stake-out story but is it? Or is it a reflection on the lives of characters once that have been created and written about?

The final story is of two friends who have drifted apart, one wanted to be a writer and is now a critic unable to create works of his own imagination. He discovers that his friend has disappeared leaving a wife and baby and a locked room of manuscripts. These turn out to be masterpieces of novels, plays, and poems far beyond his capability of writing. In preparing those for publishing he re-enters and re-evaluates his life long friendship and what it meant but at a cost as he faces a secret that tests him and his relationships to destruction.

Paul Auster’s draws on his own colourful work life in his struggle to become a writer so the stories have a grain of gritty realism. But they are interlinked by an interest in the impact of coincidences and lives lived in minimalist even ascetic ways against a background of a loss, failure and absent fathers and reflections on writing and storytelling. If you want a painless way into postmodernist metafiction then this is the book for you. Highly recommended.

Money by Martin Amis

This is a novel written in the early 80’s and is one long monologue about money and what chasing money, having money( and not having money) does to John Self the central character. He is a successful Ad director but at heart a fast talking East end boozing womaniser addicted to fast food and porno. And if you still like him, he beats up women, tends to be a racist, and hates gays… and horror of horror smokes. But he does have a turbulent broth of family relationships to deal with!

This could be an echo of real life as Martin Amis had a troubled relationship with his father Kingsley Amis. Who incidentally was critical of the device of having the author as a character in the story which allows Martin to take some sly digs at the pretensions of writers and writing.

John Self meets a producer in New York and spins him a story based on his own life (drunkard father, two timing mother, time waster son) and is then embroiled in the nightmare of putting the money, script and casting together. He lurches between New York and London loving money and suffering from excesses of drink, food and sex and looses girlfriend, friends and family along the way in a glorious buffoon way.

As he tries to deal with actor’s egos, money men demands and scripts he is also hounded by a stalker . Or is he? We can only understand what john understands and as he is drinking several bottles of whiskies on week long benders he is a little hazy some times on the details. During the story we get to find out what the truth of his rise to the Money as well as family secrets and who cheats who.

As the novel is set up to be a long suicide note you can sense the depths of his pain. So is this a gloomy, slash your wrist Leonard Cohen fun feast? No it’s a very funny and savage satire on money, money and money and oh the film industry. Normally, I dislike first person novels but I strongly recommended this one.

Walk on the Wild Side by Nelson Algren

You are a good person, pay your taxes, honour your parents, do an honest’s days work…so nothing in common with whores, drug addicts, boot-lickers, queers, hustlers, drunkards, jail fodder. You are a good honest citizen looking out for others.

Last week I was on a train that got stuck outside of Bristol by the floods for several hours, we moved up and down the tracks and stopped before moving up and down the tracks. Eventually we returned to Taunton and were dumped at the station. The promised coaches did not turn up, it was bucketing down rain and no one from the rail company took any responsibility to tell what was happening or to manage how and who got access to the coaches when they arrived. When they did in dribs and drabs 300+ people ran as if we were fleeing a doomed city. No thoughts given to parents with babes in arms, to elderly passengers struggling with heavy cases. I bet you that we were all good people, who pay our taxes…

In Walk on the Wild Side, Nelson Algren asks “why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

The book was written at the on set of the cold war in the 1950’s but is set in the Deep south of the early 1930’s. Algren himself went into popular and critical decline soon after in part due to the abuses of McCarthyism and in part to his own hard drinking, gambling and drug taking.

The story starts with Dove a Southern trailer trash illiterate 16 year old in the Mexican-Texas border. His grandfather is traveling preacher…described by Dove as the type that makes you want to throw your Bible away. He is barefoot, and in country yokel jeans. At the end he is in the height of fashion albeit bedraggled due to prison sentence for being drunk and disorderly.

Along the way we see the ins and outs of hustling, working in a peepshow, making and selling rubbers. We meet the women he loves or has sex with and one who keeps her humanity perhaps to love him. This unfolds as he jumps trains to New Orleans and then tries to make a living.

The narrative can at time feel like a series of short stories threaded together but its both naturalistic and funny. See Dove as an innocent abroad who walks where others fear to tread and so sails through danger that passes over his head. It also has lots of little passages of songs scatters throughout the book. Walk on the Wild Side by Lou Reed is based on the book and was going to be part of a musical of the book- want to see that if it ever happens!

It has to be said it’s a flawed masterpiece but still better then many other writers best work so give it a try and get a sense if you could believe in humanity if crushed at the bottom of the pile.

Abandoned book: Blood and Guts in High School by Kathy Acker

I am reading 50 cult books this year and this would have been the third but its on the to be swapped pile now!

This is a book first published in 1978 and is an experimental novel. To put it context imagine an 18th century painting of a landowner and his family under a tree. At first glance this is natural but it’s a construct from both the style of the sitting to the painting techniques used to artificially create naturalism. If you deconstruct this then you draw on a range of counter images or techniques. Say having the landowner be a woman and the landscape constructed from dead bodies reflecting the true nature of the power illustrated.

This book is based on post modernist assumptions of deconstructing narrative or form etc to expose the oppressive nature of being a woman defined by men or being in a system then robs individuality- libertarian feminism as it were. One of the approaches that Kathy Acker takes is to take a brutal pornographic view of men and have the women adopt the same view to expose how a feminine romantic view of sex is part of the oppressive suppression of female sexuality.

The book does not follow the rules of dramatic narrative but is a montage of pastiches, poems, play scenes, pornographic drawings, dreamscapes that are not about telling a story but creating images and feelings that deconstruct the social view of say education, the state, religion etc. The opening few pages are written as a play dialogue with inner monologues between a 10 year old girl and a father who has sex with her. But from the context its not a 10 year old girl(the language and the content is of an older woman) so one reading is that this is a inner monologue along the lines of Transactional Analysis of stern parent and child which reflects how women are infantilised by men.

So why abandon the book? Two reasons, the first is its relentless politics. It’s a book best read by young students who have the advantage of seeing the world in black and white: all men are bastards; your parents *** you up; police are pigs; education is fascism etc. The second is the format whilst containing many powerful nuggets tends to drag and not engage me as it is essentially a series of diverse pieces of writing and drawings thrown together it feels at random. Life is too short…which was first put into print in May 1877, The Morning Oregonian included a story with this opinion:

"Oh I say, drawled Gerard; 'life's too short to be wasted talking about a woman. Let's go and get some beer."

Oh dear…

How German Is It = Wie Deutsch Ist Es by Walter Abish

When should victims and their descents stop being victims and when do the crimes of our ancestors stop being our fault? This is territory of How German Is It = Wie Deutsch Ist Es by Walter Abish published in 1981 but set in the 70’s when the post war generation were having to come to terms with their futures and the pasts it was built on. Abish is an American but whose family had fled Europe during the Hitler years.

The central character is Ulrich a writer who is the son of a former high ranking German military officer executed for his role in the 1944 plot to assassinate Hitler. He and his brother a modernist architect are from the aristocratic elite who supported Hitler’s anti-communist stance as a political necessity. We first meet Ulrich having returned to the new post war town and discover that he had been caught up with a terrorist cell who were imprisoned based on his evidence so he and his wife are free. This has serious consequences as it clear that his wife who leaves him believes in the terrorist cause as may one of his girl friends. His brother, Helmuth is helping to build the new Germany and is in cahoots with the Mayor and has a chaotic sex life causing his marriage to fall about. This again ripples through the novel and helps to shape the climax of the story.

A servant who saved the family in the fall of Nazi Germany lives in the new town and serves in the best restaurant and is known and loved by the two brothers. But it’s clear in the web of relationships that build up that not all is as it seems. As the character’s relationships build up a picture of who Ulrich is and why he must react in the final count in the way he does, we also start to discover that the new town is built on the ruins of a concentration camp and a willingness to try and ignore the past. To the point that we begin to see that the terrorists may well be the moralists except they are as much a failure as the bright new town.

It is a political thriller and more as Abish is an experimentalist writer who uses German stereotypes and a central character, Ulrich, who is initially a cipher to builds up the story by switches in narrator, by the author questioning the action or intention of the character or situation etc. As the story unfolds the interaction with the other characters builds in to real psychological studies. The climax and its consequences for Ulrich seek to answer the question of the novel’s title.The novel is highly recommended and for all it being experimental is not a difficult read. It won the American book award(PEN/Faulkner) in 1981 and deserves a wider readership.

Woman in the Dunes by Kobo Abe

The Kobo Abe novel "Woman in the Dunes is a Japanese novel written in the 1960s and was made into a film in the same period. It traces, in a small book of less then 300 pages, the implications of being alienated and the contradictions of conformity freedom if that conformity has a purpose.

Niki Junpei a teacher trapped in a empty teaching job, a failed relationship and a life mapped up to retirement and death goes a secret 3 day trip- done to wind up his work colleagues. He is an amateur entomologist (bug collector!) which in Japan of the period is an equally conforming hobby. (The imagery of trapping, collecting, recording and pinning is an important an important motif.

Junpei is interested in sand bugs so goes to area of sand dunes. When he misses the last bus back, a group of locals suggest he stays the night in their village. They send him down a rope-ladder to a house at the bottom of a sandpit, where a young widow lives alone. She has been tasked along with a handful of other households by the village with preventing the sands from destroying the house (if their houses succumbs to the dunes then the other houses in the village will be threatened).

When Junpei tries to leave the next morning he finds the ladder removed. The villagers inform him that he must help the widow in her endless task of digging sand. Junpei initially tries to escape, upon failing he takes the widow captive, but is forced to release her when the house almost collapses after several days of sand build up outside. At one point he does escape only to be captured and gradually

Junpei eventually becomes the widow's lover but still continues to plot his escape. Through his persistent effort on trapping a crow for messenger, he discovers a way to draw water from the damp sand at night. He thus is able to choose his when he can escape.

At the end of the book Junpei gets his chance to escape, as he discovers what the sand is being used for and that assumption of who bad-good guys are is less clear. He refuses to take it as he now has the power to leave when he chooses and a purposeful if bleak life with a community that depends on him. We at the end of the novel know what the meaning of his official declaration of death that is reported at the beginning of the novel.

The book raised powerful questions on what is our purpose and what we sacrifice if that life is to have any meaning. Its central “character “is the ever changing sand dunes described and struggled with in writing that is evocative, mythical and deeply psychological… the silences, gestures and actions all revealing more in the spaces between. But, and this is important it also suspenseful! Highly recommended.

Norwegian Wood by Haruki Maurakami

Do you like your love stories happy, sad and bitter-true? Read on. If you like them sentimental and Mills and Boon is your genre of choice then best to leave now.

Norwegian Wood by Haruki Maurakami opens with a Proust like moment as the Beatles tune is played in a German plane in 1987. We are taken back to the emotional triangle of his best friend (Kizuki) and his friends’ girl-friend (Kaoko) The first of many emotional triangles that Watanbe finds himself as the calm centre over the next five years.

He goes to a 2nd rate Tokyo private university in the student driven political riots and campus takeovers of the late 60’s where he makes friends with Nagasawa a secret reader of western classics and a serious womaniser. Or with his roommate, the storm trooper. Both teach him ways of living before disappearing from his life but perhaps not for ever. As the events of his friendship unfolds he meets and falls in love with a free speaking fellow student but this is not his only love so he gradually falls apart as the story moves to its bitter-truth ending

This at one level is the most accessible of Haruki Maurakami novels and the one that sold in millions in Japan making him a superstar. He fled for five years before going back. However it’s no Japanese Love Story which was a sentimental, romantic tearjerker film based upon Erich Segal's best-selling short novel of the same name.The mood is darker but lightened with humour and tenderness so you come to admire and love Watanbe honesty and painful path to adulthood. You also feel part of the ordinary life of 60’s Japan that lies beyond the stereotypes.

The prose has the poetry of the best Japanese writing but with the flow of the best western writing. I got to be a fan of his writing with the very different Dance Dance Dance which blurs genres, and writing conventions but I strongly recommend Norwegian Wood for anyone who like good writing for as Nagasawa says

if you only read the books that every one else is reading, you can only think what everyone else is thinking.

The Master and Margarita by Mikhail Bulgakov

Don't you find that books are like lovers? Some you can’t bear to be parted from, wanting to spend every spare moment in each others arms, share intimate secrets as the relationship deepens so you are changed but heartbroken when the relationship has to end and you both go your separate ways. Yet with others, after the initial excitement of the first date and the promise of the pages to come, it fades, you find excuses not to read, when you do its for less and less time, you get distracted by other books and even start to two-time by skimming them, trying to convince yourself its only a fun no strings fling.

Sadly this is happening with The Master and Margarita by Mikhail Bulgakov. It had all the signs of the great read; political satire, Gothic appearances and interventions by the Devil, suppressed by the Soviets, but... but I have faded starting dalliances with other books such as The life and times of the Thunderbolt Kid by Bill Bryson.Why the fading relationship? Well the usual thing is to say its me not you, I am not ready for commitment, let’s be friends rather then face the pain of saying you are not lovable by me. The killer, as in all relationships, is the minor fault that reveals deeper flaws. For me this is the idiom and speech patterns feeling false. I find it difficult to suspend believe and become part of the world so it remains intellectually satisfying but an emotional famine.

The book was written over the 20's and 30's at the height of the worse excesses of Stalin and would have cost the writer his life had it been found at the time. It’s a period of history I have had a great deal of interest in so it’s even more disappointing that the book feels flat. Its very urban based and concerned with the cultural politics of the intelligentsia but the great disasters of the period, the destruction of the rural classes, wiping out of the party, the show trails, mass imprisonments are barely touched on Perhaps the problem is past relations with other Russians such as Solzhenitsyn who deal with similar themes but with greater distinction. Perhaps because I looking for something that the novel does not have, I am missing what it does offer. Friends of the novel say

Ultimately, the novel deals with the interplay of good and evil, innocence and guilt, courage and cowardice, exploring such issues as the responsibility towards truth when authority would deny it, and the freedom of the spirit in an unfree world. Love and sensuality are also dominant themes in the novel. The novel is a riot of sensual impressions, but the emptiness of sensual gratification without love is emphatically illustrated in the satirical passages

For now, I have decided to not spend more time with my family and stop at Book 2. So am I on a break or is this the end for us? Only time will tell but always more books in the library that I can cherish and love... And dear reader, my spurned lover could be the passion of your life so make a date and enjoy the bitch about the failures of ex’s if the relationship works out.

The Death of Napoleon by Simon Leys

As you know Napoleon was imprisoned and then exiled by the British to the island of Saint Helena (2,800 km off the Bight of Guinea in the South Atlantic Ocean). Sick for much of his time on Saint Helena, Napoleon died on 5 May 1821. Well this is not true, he dies in Paris in the 1830’s with his wife frightened that he was going mad claiming to be Napoleon!

This is a gem of a tragic-comedy in which we follow Napoleon (he leaves an impersonator behind) first as a ship hand on a whaling ship full of monotone Norwegians and a larger then life Negro cook. Ironically, he gets teased and named Napoleon for his officious manner. Due to stormy weather they land at Belgium rather then the port intended so the conspiracy starts to fall apart. Napoleon stoically and silently tries to get to Paris but all the time chaos and misunderstanding arise leading to him touring the Waterloo battle grounds and encountering the myths and sharp practices developing around his life. Making Paris, he is about to make the contacts to summon France to its destiny when it all unravels on the receipt of really bad news. Lost, he uses his skills to help the widow of one of his loyal fellows and so starts to be trapped in a life not of his making.

If you have ever seen Monsieur Hulot's Holiday staring Jacques Tati, then you will have an immediate feel of the comedy and pathos of this short novel. The prose is joy to read and hear. Moreover, it covers a whole range of serious issues lightly: the kindness of strangers, Myth and reality, commercialism of history, militarization of commerce, etc. A small masterpiece that I strongly recommend.

The Mezzanine by Nicholson Baker

A man gets up from his desk, chats to friend, has a pee, goes out for a lunch break and buys some shoelaces. And that's the plot and story.

John Whale in put it in writing argues that a good writer follows three basic principles: think in pictures, write as you speak and keep the reader happy. This book follows this to the final dot by having obsessive attention to details so things are seen as if for the first time. The narrative is interrupted by page long footnotes of digressions. He describes and discuses the exact pattern underlying on office conversation and when you wait or leave if it is interrupted by a phone call. Or we ponder on why and when plastic replaced paper straws and the affects this has on drinking Soda from cans(think when was the last time you drank coke from a can or bottle with a straw).

We puzzle over the order to wear what shirt and how long it will stay fresh. Or explore the excitement of toilet technology and the complexity of social etiquette for men while peeing or meeting and greeting in toilets. My personal favourite are the long detours on why shoelaces break.

It's not just obsessive attention to detail that makes the story work. As you read you move backwards and forwards over time to the narrators childhood and to a future when the lunch hour and its world is long in the past. This makes for droll humour but also for a subtle underling nostalgia or even sadness at lost innocence.

So this reader was kept happy and would strongly recommend this little 130 page book to read in your lunch-hour. My god what ever happened to them?

Review of 253 by Geoff Ryman

I was reading the other day that novels can be divided into two types. One is driven by character and the other is driven by the quality of the writing rather then interest in the characters. 253 by Geoff Ryman is a fine example of how wrong this distinction is. The story at one level describes the journey of 7 ½ minutes on the London Underground from Embankment station, to the Elephant and Castle where it crashes and passengers die. It does this by dipping into the lives of 253 people. Why 253? There are seven carriages on a Bakerloo Line train, each with 36 seats. A train in which every passenger has a seat will carry 252 people. With the driver, that makes 253! It takes place on the 11th January 1995, which is the day the author learned his best friend was dying of AIDS.

Each passenger’s life and thoughts is explore in actually 253 words over three sections as described below.

Outward appearance : does this seem to be someone you would like to read about?

Inside information : sadly, people are not always what they seem.

What they are doing or thinking : many passengers are doing or thinking interesting things.

We work through the characters one by one in each of the seven carriages. As we do we gain a sense of the time moving as people leave and arrive the carriages. In each carriage an incident happens from a shout, to performance art that ripples through the characters thoughts and behaviour.

As you read, you discover connections between passengers, the different reactions of characters to each other and the events. Some story lines are resolved others leave you curious to know more. Several characters make key decisions as they sit and think and some you find out the consequences and some you don’t. All the time as you read you know they are moving to destruction and yet the complexity of their lives continue to unravel. The final carriage and reasons for the behaviour of one of the characters are genuinely moving. In the final sections the crash and who dies is described so ending at random the lives of some the characters and so their stories end but you know the consequences some happy, some tragic some bitter-sweet.

In between the carriage sections are mock adverts and many of the stories have footnotes explaining some fact or the basis of the author’s decisions. These may be true, lies or misleading. It is different and if you want to see and read it an interactive version click on to http://www.ryman-novel.com/.

I highly recommend if for nothing else because of the sheer inventiveness of sketching believable characters in 253 words within a structure that gives pace and emotional depth.